Alexandra Mathew filled the small marquee stage with her presence – at times pacing, often anguished and always in command of the material despite having no score.
— Elizabeth Quinn, Weekend Notes
The best acting of the performance came from … Alexandra Mathew – whose reaction to Polyphemus was fantastically intense, and a real credit to her.
— John Weretka, Classic Melbourne
The trio … Alexandra Mathew, Rose Stachniewska and Oliver Marshall … sing a dazzling array of sounds which, for sheer vocal inventiveness, must be heard to be believed.
— Rebecca Hunt, Operissima